Digital Marketing in an AI World

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Worked with
  • Farina
  • WineConnect
  • AJA Seafood
  • Gillardeau
  • Champagne Jacquinot
  • Lexus
  • Château Sainte Roseline
  • Paul Lato Wines
01Author’s note

The camera never made the film. Every frame I deliver was decided before it was generated  the casting, the lens, the light, where the cut lands. The model carries those decisions out. It does not make them.

No account layer. No handoff between a strategist who writes it, a studio that shoots it and an editor who never read the brief. Some films need a crew and a location, others need nothing but a room — either way the brief and the final grade stay in the same hands, so the film that arrives is the one that was agreed.

Sixteen versions of a single frame can go in the bin before one earns its place. That is not waste, it is the work — and because no crew stands idle while I decide, you get the sixteenth attempt on the schedule of the first. Every film that leaves here is signed.

Leon Turasiewicz, signed
02How it’s made

Start to finish, one pair of hands. Here is every stage, in order.

  1. 01ConceptWe start from what the film has to do for the brand — the audience, the channel, the action you want taken — not from a prompt. If that question has no answer, there is nothing to shoot.
  2. 02Moodboard & tone of voiceA reference board built against your brand strategy: positioning, tone of voice, the visual territory you already own and the one you want next. The film has to sound like the brand before it can look like anything.
  3. 03Script & shotlistWritten shot by shot, then drawn — every frame earns its place on paper before a single model runs.
  4. 04Look developmentReferences, palette, lens language, grain. The film's visual grammar is decided here rather than discovered halfway through.
  5. 05KeyframesEach shot is built as a still first, until it is right. This is where most of the work happens, and where most of it gets thrown away.
  6. 06MotionStills become shots. The camera move is chosen — a push, a dolly, an orbit — not whatever the model felt like doing that run.
  7. 07EditShots go on a timeline and get cut back against the shotlist and the boards — order, pacing, what earns its seconds. This is where a pile of clips becomes the film that was written.
  8. 08SoundVoice, score, effects, room tone. Mixed to levels, with the music ducked under the voice instead of fighting it.
  9. 09GradeOne light register across the whole film, so thirty generated shots read as one piece of photography.
  10. 10DeliveryMastered and handed over in every ratio and length the campaign actually needs, with the working files if you want them.
03What I make

Films for brands that need to show something a camera cannot reach.

01AI commercial or brand filmA finished spot, roughly 15 to 90 seconds, written and directed end to end.
02Product filmOne product, shot from angles a real camera cannot reach, lit the way a studio would light it.
03Short-form for socialVertical pieces built for the feed from the start, not a landscape film cropped down afterwards.
04Live action + AIFilmed on location where it matters, finished with AI where building the set would cost more than the budget.
05A small test film firstOne short piece before a full campaign, so you can see the work before committing to it.
06Paid ads creativeVariants built for Meta and made to be tested, not admired — each one cut against a fixed formula for what earns attention in a feed, so every round of spend tells you something.
start a project · start a project ·
04Get in touch

Tell me what you want to make. I read these myself.